Movie Reviews

'Sheep in the Box': A pointless, sweet story of grief, robots - review

The film explores how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.

‘SHEEP IN THE BOX’ is about how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.
FROM LEFT: Vojtech Vodochodský, Stanislav Majer, and Tatiana Pauhofová in ‘Waves.’

‘Waves’ captures thrill and tragedy of resistance at Prague radio station in ’68 - review

JEREMY STRONG (left) and Bill Burr in ‘The Social Reckoning.’

'The Social Reckoning': Aaron Sorkin exposes Facebook's dark side in gripping sequel - review

ALTHOUGH SET after World War II, ‘Orphan’ references the war in nearly every disconsolate frame, and captures the melancholy of trying to pick up the pieces after a tragedy of such a grand scale.

‘Orphan,’ the new film by László Nemes, tells a bleak story of a Jewish boy in 1950s Budapest


‘The Rapture’ tells an age-old story of deception and friendship - review

It’s not easy to bring off such a psychologically complex story, and the director uses some interesting visual elements, especially colors and patterns, to illuminate her themes.

 A SCENE FROM the new French film ‘The Rapture.’

'The Braid': A powerful tale of three women across cultures struggling with crisis - review

Each story is well paced and none completely overshadows the others, although some hit harder.

 A SCENE from ‘The Braid.’

Agatha All Along: Another one bites the dust - review

I know it's not exactly 'woke' to care about Jewish stories (hi, Sabra), but if the goal was redemption… try again, Marvel.

 Kathryn Hahn attends the 49th People's Choice Awards in Santa Monica, California, US, February 18, 2024

In ‘Megalopolis,’ Francis Ford Coppola swings high and misses - comment

Sadly, Megalopolis is nothing but professionalism, a display of what a huge budget can buy, with nothing to make you care, the opposite of the “beautiful little film” he was hoping to see.

 ADAM DRIVER and Nathalie Emmanuel in director Francis Ford Coppola’s ‘Megalopolis.’

Colin Farrell takes on Gotham’s Scarface in compelling gangland saga ‘The Penguin’ - review

Matt Reeves' "The Penguin," a gritty HBO spinoff of "The Batman" starring Colin Farrell, masterfully blends crime drama and comic book lore.

 COLIN FARRELL as Oz Cobb in HBO’s ‘The Penguin.’

'The Teacher's Lounge' tells the story of teacher who cares - review

This German Oscar-nominated film tells the story of a school turned against a devoted teacher.

 LEONIE BENESCH in ‘The Teachers’ Lounge.’

'Thelma': A movie that will ride off with your heart - review

Thelma is a touching and entertaining story about what getting old is like for many people, with real laughs and moving moments.

 JUNE SQUIBB and Fred Hechinger in ‘Thelma.’

Movie ‘Last Summer’ brings viewers on a journey of an illicit and immoral relationship - review

The movie is the story of an illicit and immoral relationship, the kind that once upon a time was winked at when the younger person was a male teenager but is now viewed as a criminal offense.

 LEA DRUCKER and Samuel Kircher in ‘Last Summer.’

'The Monk and the Gun': A look at culture clash in Bhutan's democratic transition - review

The Monk and the Gun is a political satire with a deep meaning, but the spiritual message behind the story sneaks up on you, or rather, you understand and embrace it gradually.

 ‘THE MONK and the Gun’ – a political satire with a deeper meaning.

'Reality': Getting in the mindset of uneducated vanity - review

Sydney Sweeney, a young star who has played in her share of rom-coms, gives a compelling performance in a tricky role.

 SYDNEY SWEENEY in ‘Reality.’