Film review

Christopher Nolan's 'The Odyssey' is visually stunning but emotionally adrift - review

The feeling the film evokes is similar to Oppenheimer, Nolan’s last film, another portrait of a disillusioned hero who is haunted by how his work has bolstered military force and caused suffering.

ZENDAYA PLAYS the apparition of Athena who appears to Odysseus (Matt Damon) and gives him some aphoristic guidance.
CRISTIAN MUNGIU’S ‘Fjord’ won the Palme d’Or at Cannes this year.

Jerusalem Film Festival returns with Sundance hits, Cannes winners, and Israeli premieres

‘ALL I HAD WAS NOTHINGNESS’

What to watch this week: The story behind ‘Shoah,’ the end of ‘The Bear,’ and a riveting ‘Betrayal’

New Israeli comedy hit, 'Checkout.'

‘Checkout’: New comedy hit, expanded from one of Israel's most popular series


How two new documentaries on America post-Oct. 7 talk right past each other

What both films lack is empathy. They depict the conflict as a zero-sum game, in which talking about the other side’s pain is conceding the argument, the author writes.

 Tessa Veksler, an interviewee in the documentary "October 8."

‘Kafka’s Last Trial’ doc. tells the story of a literary legal battle 

It’s fitting that this movie is being released now, just after the centenary of Kafka’s death was marked, and as an exhibit is running at the National Library of Israel.

 A SHOT from ‘Kafka’s Last Trial,’ being screened Saturday night.

Chalamet masterfully channels Bob Dylan in 'A Complete Unknown' - film review

The movie is far from flawless, but the problems with it are likely not ones that will bother you as you’re watching it.

 TIMOTHÉE CHALAMET and Monica Barbaro as Bob Dylan and Joan Baez in ‘A Complete Unknown.’

'Souleymane’s Story': A glance into the life of an African worker in Paris - film review

The new film paints a haunting portrait of one face behind all the headlines about immigration.

 ABOU SANGARE in ‘Souleymane’s Story.’

'Why War': Israeli filmmaker Amos Gitai's latest movie - review

The director attempts to answer the question "why war?" in an inventive way, by quoting from an exchange of letters between Albert Einstein and Sigmund Freud in the early 1930s.

 A scene from the film ‘Why War.’

Jesse Eisenberg's 'A Real Pain' is a trip worth taking - review

Jesse Eisenberg's 'A Real Pain' is a poignant journey of grief, Jewish identity, and family bonds, blending humor and heart as two cousins navigate their past on a tour of Jewish history in Poland.

 KIERAN CULKIN and Jesse Eisenberg (shown on right) in ‘A Real Pain.’

New film 'The Ring' traces a family's Holocaust trauma - film review

Much of the movie details their search through Budapest, and as interesting as this city’s atmosphere is, it’s the relationships among the three leads that carry the movie forward.

 ADIR MILLER and Joy Rieger in ‘The Ring.’

Israeli film ‘Red Flower’ copes with the carnage in Sderot - review

Also available is the docudrama One Day in October on Yes TV, by Daniel Finkelman and Oded Davidoff, which offers dramatized versions of four stories from October 7.

 A SCENE from ‘Red Flower.’

Love, laughter, and high-stakes Haredi dating in 'Matchmaking 2' - review

If you’re craving a story that’s both romantic and funny, Matchmaking 2 is a good match.

 NOAM IMBER (left) and OMER NUDELMAN in 'Matchmaking 2.'

Norwegian talkfest ‘Sex’ is an utterly unsexy film - review

Norwegian film "Sex" revives mumblecore with a dialogue-heavy story, but its slow, unremarkable conversations fall flat.

 THORBJORN HARR and Jan Gunnar Roise in Dag Johan Haugerud’s film, ‘Sex.’